I recently picked up the DJI 15mm f/1.7 ASPH as an upgrade to my everyday carry lens, the Panasonic Lumix 14mm f/2.5 ASPH. Both were tested on the Panasonic GX80.
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| The two lenses |
Before diving in, it’s worth noting - this isn’t a comparison between the DJI and the Panasonic Leica DG Summilux 15mm f/1.7 ASPH. That Leica-branded lens looks great, but at nearly three times the price of the DJI, it’s in a completely different bracket.
Instead, I’m comparing the DJI 15mm to the Lumix 14mm for a very practical reason: they’re similarly priced, have a similar spec, and both are excellent candidates for an everyday compact prime lens.
Why Compare these lenses?
- Focal length: 15mm vs 14mm—very close
- Price: DJI £135 (new, AliExpress deal); Lumix ~£135 (used)
- Fast primes: f/1.7 vs f/2.5
- Size: both small and portable
- Purpose: both are strong everyday carry options for Micro Four Thirds
TL;DR Summary
- The DJI 15mm is the better lens overall.
- Choose the Lumix 14mm if you want the lightest, most compact option and don’t need manual focus.
- Choose the DJI 15mm for everything else—it’s better built, easier to handle, and produces superior images.
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| Overall winner - the DJI 15mm |
You can view all sample images for this review at the bottom of the blog post.
Build & Handling
Winner - DJI
- The DJI lens feels much more robust in the hand thanks to its all-metal build.
- The Lumix is noticeably smaller and lighter—making it just pocketable when paired with the GX80.The DJI, while compact, is in no sense pocketable.
- Manual focus is a weak spot on the Lumix. The focus ring is small, stiff, and not especially comfortable to use.
- The DJI, by contrast, has a smooth, well-placed focus ring, and the clicky aperture ring is a joy—intuitive, tactile, and genuinely useful.
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| DJI 15mm f/1.7 |
Image Quality
Winner: DJI
- Sharpness: Both lenses are sharp enough for everyday use, but the DJI has a slight edge.
- Depth of Field: The DJI’s wider aperture (f/1.7 vs. f/2.5) gives noticeably more subject separation and a creamier background blur.
- Chromatic Aberration: Slightly more noticeable on the DJI, particularly in high-contrast edges.
- Vignetting: The Lumix shows more noticeable vignetting wide open.
- Colours: No real difference; both produce pleasing, neutral colour.
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| Lumix 14mm f/2.5 |
Focusing
Winner: DJI
Using autofocus, both lenses are snappy and quick to focus. I didn't notice a difference between them.
As previously mentioned, manual focus on the Lumix is not a great experience.
Conclusion
If you could only have one, I'd recommend the DJI every time. The DJI punches well above its price point. It’s a fantastic everyday lens - solid, sharp, and well-designed, with a lovely shallow depth of field for a Micro Four Thirds sensor.
I won't be getting rid of my Lumix any time soon. It's still a solid lens, and worth having in your kit. It's unbeatable when it comes to have a genuinely compact and performative lens.
Final note - If you're picking up the DJI new, keep in mind that most retailers are based in China. I got my copy via AliExpress, and waited around 2 weeks for postage.
Sample Images
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| DJI 15mm @ 1/1250 f/1.7 ISO320 |
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| Lumix 14mm @ 1/500 f/2.5 ISO320 |
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| DJI 15mm @ 1/0000 f/3.2 ISO200 |
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| Lumix 14mm @ 1/0000 f/3.2 ISO200 |
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| Lumix 14mm @ 1/2500 f/4.0 ISO320 |
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| DJI 15mm @ 1/2500 f/4.0 ISO320 |
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Comparison Table
| Feature |
DJI 15mm f/1.7 ASPH |
Panasonic Lumix 14mm f/2.5 ASPH |
| Focal Length (35mm equiv.) |
30mm |
28mm |
| Maximum Aperture |
f/1.7 |
f/2.5 |
| Minimum Aperture |
f/16 |
f/22 |
| Aperture Ring |
Yes (clicky, manual) |
No |
| Lens Construction |
9 elements in 6 groups |
6 elements in 5 groups |
| Minimum Focus Distance |
0.12 m |
0.18 m |
| Maximum Magnification |
~0.12x |
0.10x |
| Autofocus |
Yes |
Yes |
| Manual Focus Ring |
Yes |
Yes |
| Build Material |
Metal |
Plastic |
| Weight |
~135g |
~55g |
| Length |
~36mm |
~20.5mm |
| Filter Thread Size |
46mm |
46mm |
| Mount |
Micro Four Thirds |
Micro Four Thirds |
| Typical Price (2025) |
£135 (new, AliExpress) |
£130–140 (used / nearly new) |
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